Rainbow - eeBoo
I'm particularly pleased with the way this one turned out - another eeBoo video, for a matching memory game for kids. Breezy jazz waltz that feels like it should have been in a '60s filmscore.
I'm particularly pleased with the way this one turned out - another eeBoo video, for a matching memory game for kids. Breezy jazz waltz that feels like it should have been in a '60s filmscore.
Another eeBoo video soundtrack, for a game called Cupcake - I think it's the inaugural use of a bouzouki virtual instrument in my arsenal.
Just fooling around, getting some of my equipment out of mothballs, and working on creating new templates for Logic
A test for a new Soundpaint 1980 Tenor Sax instrument, revisiting a tune I wrote at Berklee in the late '80s when I knew someone there who was a sax player. I've always liked the noir feeling to it. Also features Noire piano, Mark II patch, Xperimenta's Fisarmonica accordion instrument, a little ride cymbal, a bass, and some vibes.
Inspired by the Alchemy sound (reminiscent of Marianne Faithfull's "The Ballad of Lucy Jordan") this one also features a Mark II sound, handbell, and some egg shaker and other percussion from Klevgrand. And there's another version with a banjo, but it muddies things up more than it adds.
A loop-based minimalist exercise with the sound of zither, autoharp, various pianos, atmospheric strings, some Eric Whitacre Choir and bari sax.
Another eeBoo rule explainer video score - this time for Spin to Play Picnic. It uses the Django Guitar sound again, along with pizz strings, a music box, piano, bari sax and muted trumpet.
Playing around with some new sounds, including Sonixinema's Intimate Legato Cello and the Eric Whitacre Choir from Spitfire.
For a video about a children's game where they have to collect things from nature, matching colors, sizes, shapes. I liked the 1970s feel of the recorder, celeste and the jazz-waltziness of it all. The birds in the middle were courtesy of Spitfire LABS.
For a video about an eeBoo game of building a robot, I wanted to get everything sounding very mechanical, with ratchets, theremin, and loud keyswitching buttons.
Another Django-inspired tune with some 1920s-style bari-sax bass, for a video about an act-out-prompts game from eeBoo called "Sloth in a Hurry".
Liked the opening chord progression, and just followed where it led.
Native Instruments' Una Corda, Korg M1, more harp, bass, some Estonian women singing/humming
A little bit "So What," a little bit "Beat It," I was having fun with the Kontakt Battery percussion, and testing whether I could route my old K2000R Slow Alto Sax through the new setup.
Experimenting without percussion track - using the Korg M1 phasey-electric piano patch, plus bass, harp, and atmospherics.
Just having some fun with Spitfire LABS' Charango Guitar (plus a steel drum and some percussion)
I wrote this ages ago when I was living in New York City, for a radio station's "Bonehead of the Week" segment - don't know if it was ever used by them. Now I think of it as the most evil on-hold music imaginable.
Changing things up for the second day of the year... Started with the Battery percussion groove, which led me to the Clav, Horns, and trombone solo
Another New Year's take on Auld Lang Syne - The lead is the virtual Korg M1, a breathy flute sound I used a lot when I had the M3R. There are also Spitfire's "Intimate Strings" in there.
Again, started with the Battery groove, and just liked throwing in the odd birds from Spitfire LABS Atmospheres series. Chord progression reminiscent of "Darling, Je Vous Aime Beaucoup."
One of my first Logic Pro exercises, including a Spitfire BBC SO Core Harp, fretless Zither, Korg M1, Native instruments Una Corda, Spitfire LABS Cello Moods, and more.
See above for video - something I've long wanted to do, score the opening of Fritz Lang's classic film "Metropolis". I figured I'd do it in the waning hours of 2022, using the Spitfire BBC SO Core instruments, and did it "wild to picture" building up layers as I went along. It didn't need to be (and ultimately wasn't) perfect.
Testing instruments like Native Instruments' Acoustic Picked Guitar and Una Corda as I begin to familiarize myself with what Logic Pro can do.
Happy Halloween - just having some spooky fun with a theremin sound, waterphone, choir, and some heartbeats to cover all of the tropes!
More recently acquired sounds - including the Realitone banjo and Spitfire LABS (free) "LA Atmos" which here sounds like a slightly noisy lo-fi ambient track. I like the unexpected banjo. Because really, when is banjo expected?
Experimenting with orchestration using recently bought BBC SO Core collection of virtual instruments. It's a reworking of a piece I was assigned many years ago - aiming for nostalgia. Can't recall if we were given the title or just the mood, of a peaceful late conversation between a grandfather and... Timmy.
This was for an eeBoo video explaining a game called "Spectro" - teaching kids about color matching. The stride piano is actually a reworking of a fake commercial that was originally played by a (faux) banjo within the Bill Vernick film "You'd Better Be Right". The product was a barbecue-flavored antacid (lip smackin', fast-actin' Gasaway)
Revisiting a samba tune I wrote in the '90s, but now with better sounding instruments...
For an eeBoo game instruction video, I reworked some music I wrote ages ago for an independent film called "Bird People". A bride is about to get married, but starting to have second thoughts (climbing a tree with a bottle of wine) as the wedding guests all begin to act more and more birdlike.
Getting to know some of the sounds in my arsenal, I like a couple of of the harmonic twists in this one.
One of the short eeBoo videos needed some music, and I came up with this. Just a little Fender Rhodes, bass and percussion fun.
Another in the 'retro' series of pieces of music I've done to accompany product videos for eeBoo, my sister-in-law's company of smart and interesting products for kids. This is using a "banjo ukulele" sample for the main melody.
Using a sound that's based on the iconic playing of Django Reinhardt. It's hard to not be cheery listening to it.
I was still experimenting with the Django Guitar virtual instrument - this was used to accompany product videos for eeBoo.
Created back in New York in the early 1990s, when putting together my demo reel.
The music I wrote for NPR that was used as their Special Coverage theme after the US Invasion of Afghanistan.
I'd forgotten about this - written for possible use in either an art installation or video game, probably mid-1990s.
Another thing I put together when in New York City in the early 1990s, for my reel.
Putting a sound called "Clare Solo 2" by Ivy Audio to the test - with a little music box and some sparse percussion with the occasional sweepy synth.
Experimenting with some traditional instruments, like the African kora and a native flute.
Another tune that just happened to coincide with the start of 2022. Periodically I'll decide to do this on a more regular basis, and this was one of those times.
Seeing what I could do with some Stevie Wonder-sounding clav and horns with falls.
Somnolent and echoey.
This is one of 5 interstitial elegies from the Requiem I tried writing long long ago. The piece actually aired as break music on the final episode of NPR's Performance Today before most of us lost our jobs there. A nice parting gift.
From back in the early 90s, an assortment of things that I wrote for various projects, including a PSA for the American Cancer Society that featured the son of Yul Brynner (hence the picture).